Play It Again Sam Art Gallery Scene

A recently divorced film editor becomes obsessed with Humphrey Bogart's Rick in Casablanca, wanting to be similar the iconic film grapheme, before long seeing the blackness and white figure in his imagination giving him advice equally he slowly falls in love with his best friend's married woman.

Directed by Herbert Ross, Play it Once again, Sam is a night romantic comedy starring Woody Allen, based on his Broadway play. Playing Allan Felix, a similar lovelorn loser that has come to ascertain Allen film characters, hither he is hopelessly lost in his ain fantasies, seeing a life-sized Humphrey Bogart (Rick Blaine) as an apparition who gives him honey advice. His all-time friend'south wife Linda (Diane Keaton) is a kind and gentle adult female who attempts to guide Felix back into dating, setting him upward on various blind dates that all end in very bad means. Naturally, Felix falls in honey with Linda and all the while Bogart prods communication.

THE MUSEUM GIRL MOMENT

Spending time with Linda, Felix is becoming smitten as the married woman blissfully engages with him, not realizing the tantalizing furnishings she has on her bleak and heartbroken friend. At an fine art museum the two stroll near the great paintings and even though they are surrounded by the works of masters, and they chit conversation nigh them, the reason for their visit is unproblematic: notice Felix a girl. Strolling from one gallery to the side by side, Linda spots an extremely attractive waif ( Diana Davila) admiring a Jackson Pollock, her open shirt plunging, her wavy hair draping, and her smoldering optics inviting. Linda encourages Allan to go talk to her, only he is hesitant and resists at commencement, but somewhen concedes, ambling to the young woman and offer a annotate on the painting, a simple opening line almost her impression of the fine art. The daughter and so, in a heavy, oppressive tone, recounts how the epitome restates the negativeness of the universe earlier continuing on with a long, depressingly dark view of our horrifically doomed planet and the meaningless existence of human being life in the void of pettiness. Undaunted, Allen replies by asking her what she's doing on Saturday, to which she says, "Committing suicide." Without missing a step, he counters, "What about Friday night?"

Play information technology Again, Sam (Paramount Pictures)

Play it Again, Sam (Paramount Pictures)

WHY IT MATTERS

Woody Allen has fabricated a career out of trying to go the daughter he can't accept in his movies, a parable on what many run across every bit a reality of life, wanting simply not able to have the things we desire. Here, as he falls for the enchanting Linda, a naive only intelligent adult female who doesn't realize herself how much she is attracted to the condolement of Felix's company, he encounters another alluring daughter that on the surface is stunning, a girl he is convinced from the start is wholly out of his league, but prodded by Linda, attempts to greet.

His approach is shine, the magnificent art a great mode to starting time a conversation, which he figures would be lite and short, every bit social rules typically dictate. Instead, her response is a diatribe of ache and sorrow, an intense interpretation of the harrows of being alive in a dour, unforgiving life. Her raspy, monotone delivery is almost painful to hear as she sucks the very joy out of being in her beautiful presence, her dreary thoughts the antithesis to her lovely appearance.

But none of that matters to Felix, who is already in a state of perpetual depression, and in his abject loneliness, only thinks of her as a passing partner in the sorry ride of life she is talking about. What she says doesn't matter, it'due south all virtually filling the infinite next to him, even for a little while, especially as he knows he can't have Linda. He doesn't really fifty-fifty absorb the words she is says, simply waiting patiently for her to stop so he tin can inquire her out, her answer just an obstacle that requires another option. For her, she gets that, and it'due south why she responds equally she does. We don't actually believe she is committing suicide, only that she is telling him he is so not worthy of her fourth dimension, ending her life would be a meliorate choice.

Play it Over again, Sam (Paramount Pictures)

Play it Again, Sam (Paramount Pictures)

The moment has great ability considering of two things: a) the wonderfully acerbic script, and b) the depth and bear on of the delivery. The writing is pitch perfect and the setup and punchline piece of work very well, but information technology is the performances that make this so memorable. It'southward like shooting fish in a barrel to fall under the spell of Davila's deceptively deep reading of her lines, her magnetic face and mesmerizing voice make information technology hard to describe your optics away, merely Felix is every bit of import, standing next to her every bit she speaks. He arrives with nervous expectation, the hope of a new connexion, even the possibility of sex activity are driving him toward her, his face not highly expressive, but hopeful. Equally she explains to him how the painting makes her experience, things modify ever so subtly behind the big lenses of his spectacles.

She basically ruins him, the weight of her words crushing his spirit and drive, reminding him how pathetic he already feels. Information technology's a wonder to lookout man. And it explains why he ignores her attempt at something intellectual and dives right in for the empty invite for a date. This is a bully moment and i of Woody Allen's best, a baking commentary on relationships, life, and love all in the span of ii minutes.

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Source: https://www.thatmomentin.com/play-sam-girl-museum-moment/

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